TV post-war drama about a gruesome chapter of the Nazi era. Nadja Uhl reveals "wild" euthanasia in psychiatry. Oldenburg, 1948: For Margaret Oelkers (Uhl) and her two little sons, the pension is not enough as a war-wittwe behind and in front. But the authorities are working hard, not even because of their lack of credentials on the employment of their killed in the war. After an energetic appearance at the office, she is briefly put into the psychiatry of the Wehnen nursing home as a trainee. The consequences are bitter: one attests to their schizophrenia, takes away the children and brings them to the sister in the country. For a year, Margarete was kept in the hospital against her will, and forced to do so with electric shocks. After her release, she was placed under the guardianship of her neighbor Erich Windhorst (Martin Wuttke), a man with an SS past...

A staging of a young man's liberation from his bourgeois confinement using only music and sounds.

Shortly before her wedding, Ella learns that she has leukemia. A bone marrow transplant from a blood relative is the only way to save her life. But her mother confesses to her that she was adopted as a baby. Ella sets off in search of her biological mother and begs her: “Mother, I don't want to die!

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Young Lena Kehl urgently wants to speak to the Berlin star reporter Meike Marndorfer, but is then driven to her death. Meike senses a story about old Stasi machinations and investigates in Lena's home town of Neubrandenburg. Together with Lena's boyfriend Robert, she discovers something that shakes up her life.

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This film not only illuminates Heiner Müller's life and works, it is more about questioning the "Sphinx" of the East and its saying about the loss of utopias and examining whether Heiner Müller's texts, as he himself said, were messages in a bottle for the future or not.

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一只龙虾、一只猫和一头鹿，它们是危险的叛逆者。一个人类，行踪不定，渴望与其他动物建立联系。他遇到了鹿，又结识了猫，但彼此相互排斥，这让他大失所望。之后，这个人顺着太阳的方向前行，试图通过分享一个苹果来与动物们拉近关系。